The Magic of the Cities.

Zen promotes the rediscovery of the obvious, which is so often lost in its familiarity and simplicity. It sees the miraculous in the common and magic in our everyday surroundings. When we are not rushed, and our minds are unclouded by conceptualizations, a veil will sometimes drop, introducing the viewer to a world unseen since childhood. ~ John Greer

Tuesday, October 23, 2012

Xiuhtecutli

In the background Coatlicue ("The Mother of Gods") for tomorrow.
Sunday at The National Museum of Anthropology
(Material for the next days) 
In Aztec mythology, Xiuhtecuhtli ("Turquoise Lord" or "Lord of Fire"), was the god of fire, day and heat. He was the lord of volcanoes, the personification of life after death, warmth in cold (fire), light in darkness and food during famine. He was also named Cuezaltzin ("flame") and Ixcozauhqui , and is sometimes considered to be the same as Huehueteotl ("Old God"), although Xiuhtecuhtli is usually shown as a young deity. His wife was Chalchiuhtlicue. Xiuhtecuhtli is sometimes considered to be a manifestation of Ometecuhtli, the Lord of Duality, and according to the Florentine Codex Xiuhtecuhtli was considered to be mother and father of the Gods, who dwelled in the turquoise enclosure in the center of earth.
The Nahuatl word xiuhuitl means "year" as well as "turquoise" and "fire", and Xiuhtecatl was also the god of the year and of time. In the 260-day ritual calendar, the deity was the patron of the day Atl ("Water") and with the trecena 1 Coatl ("1 Snake"). Xiuhtecuhtli was also one of the nine Lords of the Night and ruled the first hour of the night, named Cipactli ("Alligator"). Xiuhtecuhtli was the patron god of the Aztec emperors, who were regarded as his living embodiment at their enthronement. The deity was also one of the patron gods of the pochteca merchant class.
Stone sculptures of Xiuhtecuhtli were ritually buried as offerings, and various statuettes have been recovered during excavations at the Great Temple of Tenochtitlan with which he was closely associated. Statuettes of the deity from the temple depict a seated male with his arms crossed. A sacred fire was always kept burning in the temples of Xiuhtecuhtli. In gratitude for the gift of fire, the first mouthful of food from each meal was flung into the hearth.  [Wiki]

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Monday, October 22, 2012

Piazza del Popolo



Santa Maria dei Miracoli and Santa Maria di Montesanto are two churches in Rome.
They are located on the Piazza del Popolo, facing the northern gate of the Aurelian Walls, at the entrance of Via del Corso on the square. The churches are often cited as "twin", due to their similar external appearance: they have indeed some differences, in both plan and exterior details.
Looking from the square, the two churches define the so-called "trident" of streets departing from Piazza del Popolo: starting from the left, Via del Babuino, Via del Corso and Via di Ripetta. The first two are separated by Santa Maria in Montesanto, the latter by Santa Maria dei Miracoli.
The origin of the two churches traces back to the 17th century restoration of what was the main entrance to the Middle Ages and Renaissance Rome, from the Via Flaminia (known as Via Lata and Via del Corso in its urban trait). Pope Alexander VII commissioned the monumental design of the entrance of Via del Corso to architect Carlo Rainaldi. This included two churches with central plant, but the different shapes of the two areas available forced deep modifications to the projects. Both were financed by cardinal Girolamo Gastaldi, whose crest is present in the two churches. [Wiki]


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Sunday, October 21, 2012

Rome Street Dancer

Via del Corso. Rome

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Friday, October 19, 2012

The Golden Hour

River Arno in Florence.

THE CURRENT CHALLENGE
Fri Oct 19, 2012
This week's challenge:
'Vibrant'.




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Thursday, October 18, 2012

Roman Bikers

Piazza Trilussa. Rome 2010

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