The Magic of the Cities.

Zen promotes the rediscovery of the obvious, which is so often lost in its familiarity and simplicity. It sees the miraculous in the common and magic in our everyday surroundings. When we are not rushed, and our minds are unclouded by conceptualizations, a veil will sometimes drop, introducing the viewer to a world unseen since childhood. ~ John Greer

Friday, August 6, 2010

Bacchante

Bacchante shadow
(a priestess or female votary of Bacchus)









Musée du Louvre
Bacchante ou Ariane 
Rome 2nd Century BC














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New York, Washington, Paris, Vienna, Eisenstadt, Venice, Firenze and Rome series try to continue in Sketches of Cities. 
 (At Least Once A Week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all.

Thursday, August 5, 2010

Curiosites Desirables

1969
curiosites desirables
- shop window sign:
Le Rabbit un ami qui vous veut du bien.
(The Rabbit a friend who loves you well)
Out of the blue
- refreshing in one of the Louvre pools-
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New York, Washington, Paris, Vienna, Eisenstadt, Venice, Firenze and Rome series try to continue in Sketches of Cities. 
 (At Least Once A Week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all.

Tuesday, August 3, 2010

The Surrounds of Louvre

The Cellist

L'Arc du Carrousel
The Arc de Triomphe du Carrousel is at the eastern end of the so-called Axe historique ("grand historic axis") of Paris, a nine-kilometre-long linear route which dominates much of the northwestern quadrant of the city. It is, in effect, the backbone of the Right Bank.
Looking west, the arch is perfectly aligned with the obelisk in the Place de la Concorde, the centerline of the grand boulevard Champs-Élysées, the Arc de Triomphe at the Place de l'Étoile, and, although it is not directly visible from the Place du Carrousel, the Grande Arche de la Défense. Thus, the axis begins and ends with an arch. When the Arc du Carrousel was built, however, an observer in the Place du Carrousel was impeded from any view westward. The central block of the Palais des Tuileries intervened to block the line of sight to the west. When the Tuileries was burned down during the Paris Commune (1871) and its ruins were swept away, the great axis, as it presently exists, was opened all the way to the Place du Carrousel and the Louvre.


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New York, Washington, Paris, Vienna, Eisenstadt, Venice, Firenze and Rome series try to continue in Sketches of Cities. (At Least Once A Week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all.

Monday, August 2, 2010

Pont des Arts





The Pont des Arts or Passerelle des Arts is a pedestrian bridge in Paris which crosses the Seine River. It links the Institut de France and the central square (cour carrée) of the palais du Louvre, (which had been termed the "Palais des Arts" under the First Empire).
Between 1802 and 1804, a nine-arch metallic bridge for pedestrians was constructed at the location of the present day Pont des Arts: this was the first metal bridge in Paris. This innovation was due to Napoléon I, following a design of English manufacture. The engineers Louis-Alexandre de Cessart and Jacques Dillon initially conceived of a bridge which would resemble a suspended garden, with trees, banks of flowers, and benches.
In 1976, the Inspector of Bridges and Causeways (Ponts et Chaussées) reported several deficiencies on the bridge. More specifically, he noted the damage that had been caused by two aerial bombardments sustained during World War I and World War II and the harm done from the multiple collisions caused by boats. The bridge would be closed to circulation in 1977 and, in 1979, suffered a 60 meter collapse after a barge rammed into it.
The present bridge was built between 1981 and 1984 "identically" according to the plans of Louis Arretche, who had decided to reduce the number of arches from nine to seven, allowing the look of the old bridge to be preserved while realigning the new structure with the Pont Neuf. On 27 June 1984, the newly reconstructed bridge was inaugurated by Jacques Chirac – then the mayor of Paris.
The bridge has sometimes served as a place for art exhibitions, and is today a studio en plein air for painters, artists and photographers who are drawn to its unique point of view. The Pont des Arts is also frequently a spot for picnics during the summer.
The argentinian writer, Julio Cortázar, talks about this bridge in his book "Rayuela". When Horacio Oliveira goes with the pythia and this tells him that the bridge for La Maga is the "Ponts des Arts". This is a great allusion of Cortázar for one of his greatest novels, even one of the best novels ever written.
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New York, Washington, Paris, Vienna, Eisenstadt, Venice, Firenze and Rome series try to continue in Sketches of Cities. (At Least Once A Week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all.

Sunday, August 1, 2010

August Theme Day: Bright Colours

Night Motion
Piazza del Popolo. Rome
(People's Square)
Click here to view thumbnails for all participants

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New York, Washington, Paris, Vienna, Eisenstadt, Venice, Firenze and Rome series try to continue in Sketches of Cities. 
 (At Least Once A Week)
Gracias por su visita. / Thanks for visiting, please be sure that I read each and every one of your kind comments and I appreciate them all.