La Catrina

Mexican Handcrafts of Guanajuato. Mexico

Popularized by José Guadalupe Posada, this Catrina is the skeleton of an upper class woman with large breasts and one of the most popular figures of the Day of the Dead celebrations, which occur during two days, November 1 and November 2, corresponding with the Catholic holy days of All Saints Day and All Souls Day. Although these holy days have a long cultural history reaching into the prehistoric traditions of several European cultures, many aspects of the Mexican festival have indigenous origins in an Aztec festival dedicated to the goddess Mictecacihuatl. After the conquest of Mexico, the Spanish superimposed their cultural traditions upon the similar Aztec festival and a synthesis occurred.

La Catrina, as it is commonly known, was a popular print in Posada's day, but soon faded from the popular memory. Along with the rest of Posada's prints, it was revived by French artist and art historian Jean Charlot shortly after the Mexican Revolution in the 1920s. La Catrina soon gained iconic status as a symbol of uniquely Mexican art and was reproduced en masse.

The image was incorporated into Diego Rivera's mural Dream of a Sunday in Alameda Park, which also includes images of his wife Frida Kahlo, Posada, and a self-portrait of Rivera. 

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Sprayed Moods

Digital graffiti 7.


Street Gallery.


La Culpa / Guilt.

Sex
Sex is one of the nine reasons for reincarnation.
The other eight are unimportant.
From Sexus by Henry Miller.
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Tepoztlan II

Artesanias (Craftsmanship)

"Paleacates" (A sort of scarfs or handkerchiefs)

The Entrance

A view from The Tepozteco

TepozRock

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The Other Side

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