The Magic of the Cities.

Zen promotes the rediscovery of the obvious, which is so often lost in its familiarity and simplicity. It sees the miraculous in the common and magic in our everyday surroundings. When we are not rushed, and our minds are unclouded by conceptualizations, a veil will sometimes drop, introducing the viewer to a world unseen since childhood. ~ John Greer

Showing posts with label Fort Tryon Park. Show all posts
Showing posts with label Fort Tryon Park. Show all posts

Thursday, September 29, 2011

The Cloisters III







The Unselfconscious Process
One of the most confusing and paradoxical aspects of Zen is its view of the self. Zen says we aren't who we think we are. While we are seen to exist in the relative sense, in terms of the absolute, the dance and the dancer are considered to be one. Many spiritual traditions have seen similar truths, and claim that by losing one's life, life is indeed gained. By emptying we become full. While no doubt confusing for the novice, its implication for the photographer would be to forget oneself, as much as possible, when taking pictures. This, in fact, is a very common experience among musicians and painters, who often report "losing themselves" in their art. In a sense, the picture takes itself. In the words of Henri Cartier-Bresson, "you have to blend in like a fish in water, you have to forget yourself." The artist becomes the process of creation. When something bigger than the persona takes charge, when Life itself is given free reign unhampered by our premeditated ideas of what should happen, the resultant pictures can be quite remarkable.
John Greer. Artist's Statement (Fragment)


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Wednesday, September 28, 2011

The Cloisters II

Head, perhaps an Angel. Limestone. France. Île-de-France, about 1250.





Altar Frontal. Catalunya, Spain. ca. 1225


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Monday, September 26, 2011

The Cloisters I




Head. Strasbourg. 1280-1300

The Angel of Annunciation. Northeastern Italy 1430-40.

The Cloisters museum and gardens, the branch of The Metropolitan Museum of Art devoted to the art and architecture of medieval Europe, was assembled from architectural elements, both domestic and religious, that date from the twelfth through the fifteenth century.
The building and its cloistered gardens—located in Fort Tryon Park in northern Manhattan—are treasures in themselves, effectively part of the collection housed there. The Cloisters' collection comprises approximately three thousand works of art from medieval Europe, dating from about the ninth to the sixteenth century.
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Tuesday, September 13, 2011

Leaves




There  Is  another  world  and  it  is  in  this  one.
~Paul Éluard

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Saturday, September 3, 2011

Transition


Fort Tryon Park Gardens. Manhattan. NYC
-Homage to
Vasarely-
From Carlos Castaneda's Journey to Ixtlan

People tell us from the time we are born that the world is such and such
and so and so, and naturally we have no choice but to see the world
the way people have been telling us it is.
Seeing happens only when one sneaks between the worlds;
the world of ordinary people and the world of sorcerers.
The real thing is when the body realizes that it can see.
Only then is one capable of knowing that the world we look at every day
is only a description.
My intent has been to show you that.

Only as a warrior can one survive the path of knowledge,
because the art of a warrior is to balance the terror of being a man
with the wonder of being a man.


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